Particle presented the challenge of writing music for my dynamic game audio system: Dynamite Squirrel. In order to produce the separate "layer" tracks for the project, I first wrote several static tracks in an attempt to develop the mood and theme I was hoping to convey in the virtual environment. The atmosphere presented in the Particle Introduction was exactly what I was looking for: an ominous drone sung over by backwards vocals eerie enough to send shivers up your spine. Most of the other tracks don't keep true this theme, but served as good experimental references for the audio that went into the final project.
